the Peaky Blinders Season 4 Review , now in its fourth season, returns with an action-packed, dramatic six-episode run that exceeds the show’s previous high standards. The Peaky Blinders are up against their hardest obstacle yet, the Italian mafia, in a plot that draws on prior events from previous seasons.
The tale picks up where we left off the previous year. Following Tommy’s betrayal of the family, the Peaky Blinders’ scattered remains all end themselves in jail, awaiting their destiny. As a new opponent enters the game, the split family grudgingly agrees to reunite after a particularly dramatic first episode. Luca Changretta is a Mafia hitman. Thirsty for blood and looking to put an end to a personal feud that dates back to the early seasons of the show, Peaky Blinders and Luca’s gang square off, leading to casualties on both sides.
While Tommy’s struggle continues, a societal problem is raised that, oddly, does not become prominent until late in the season. Jessie Eden, a political activist and communist, confronts Tommy about worker’s rights, asking that he pay men and women equally. Things develop and get serious during a particularly tense discussion between the two, with the employees threatening to strike, putting Shelby Ltd. in peril.
Peaky Blinders review – Season 4
The Peaky Blinders’ unrelenting attention to detail and visually, this criminal thriller is gorgeously filmed, is one of the reasons it works as well as it does. Peaky Blinders shines in every way, from the smart use of colour to the unique usage of the song’s primary theme, which gets twisted into numerous genres over the six episodes. The programme has always had a varied soundtrack, but the fourth season takes it a step further by presenting a diverse range of genres and songs that blend in flawlessly with the on-screen action.
All of this hard work would be for naught if the performance didn’t match the visual and plot, but Peaky Blinders excels in this department as well. The fourth season showcases the depth of performance on exhibit, with greater characterization and a more detailed exploration of our three main characters. From Cillian Murphy’s troubled depiction of Tommy to Paul Anderson’s excellent portrayal of Arthur, a guy on the edge of sanity, there’s a true maturity and variety portrayed here that’s unrivalled in other crime thrillers of its kind.
Helen McCrory’s Aunt Polly is another character with a strong character journey this year. Her character faces a variety of emotional and physical challenges this year after looking death in the face. Over the span of six episodes, her character undergoes a significant metamorphosis, from attempting to protect Michael from Changretta’s group to overcoming her own anxieties and shock after nearly dying.
It will be fascinating to watch where Peaky Blinders goes next. With Changretta’s overall narrative all but finished, many doubts remain about our protagonists’ fates in the future. The open ending is also an intriguing choice, one that appears to be leading the programme in a whole different path as it enters its fifth season. We’re in for a tremendous treat if Peaky Blinders can keep up the amazing execution it’s shown thus far.
Peaky Blinders Season 4 Rating